Passinho Foda, o corre por trás da dança

A feature documentary on the passinho movement and the work behind the dance, co-directed with Fred Ouro Preto.
Watch
Streaming on Netflix. A Red Bull Media House documentary. Watch the Red Bull feature.
Penumbra





A music film for Djonga, lit like a memory of a Brazilian afternoon.
Anastácias
Her fiction feature, centered on Black women and peripheral imaginaries. Awarded Best Feature Film at Her International Film Festival (Ireland) and screened at Tallgrass and other festivals.
Festival
Festival home: Anastácias on FilmFreeway.
Ostentação da Cultura





Tássia Reis and Djonga, a celebration of culture as the real flex.
Funk

Assistant director on Aly Muritiba's feature about Rio's 150 bpm funk scene, selected for Tribeca Festival 2026.
Dia Bom





A good day, in full Brazilian colour, for Tássia Reis and Tulipa Ruiz.
Prêmio Potências 2024
Creative director of the 2024 edition, themed A Favela: a live show on the power and complexity of favela culture, with honorees including Ludmilla and Erykah Badu.
Brasilidades





A commercial that treats a dinner table like a film set, warmth first.
City of God: The Fight Rages On
Assistant and second-unit director on the series extending the City of God universe into television.
Press & links
Press & links
Filmography on IMDb and MAGMA. Profile in Meio & Mensagem. Entre Cenas, a professional short with young filmmakers from Rio's periphery, covered by TelaViva. Project selected at BrLab.
Biography
Thatiane Almeida, Sabothati. Film director and writer from Brasilândia, São Paulo, working across fiction features, documentary and series, with a body of music and culture films alongside. Director of the fiction feature Anastácias, co-director of the Red Bull / Netflix documentary Passinho Foda, and creative director of the live show Prêmio Potências. She directs with MAGMA. Her work centers Black and peripheral life and the funk and passinho scenes she comes from, held together by warm, intimate light and a refusal to flatten the people in front of the lens.